Jim Boggia » Press

Rock and Roll Report: Reviews by Girard: Jim Boggia “Safe in Sound” (Bluhammock)

[ No Comments ] Posted on 05.13.05 under Press

I have waited five years for a new musical opus from Philadelphia native Jim Boggia . Well the wait was worth it as this is one of the pop albums of the year. And by far. I already knew how important this man was when I first heard his 2001 release ?Fidelity is the Enemy? which is a virtual musical shooting star. This status was confirmed when I had a chance to meet Jim when he accompanied Jill Sobule and Mary Kate O?Neil four some acoustic concerts in France. His presence, his sense of humor, his guitar playing and his voice literally captivated me. He is part of the grand tradition of great songwriters in the pop pantheon: Jason Falkner, Tomy Keene, Paul McCartney (which he can sing magnificently, I have never heard such an incredible cover of ?Maybe I?m Amazed? as the one sung by Jim). On this album he has some magnificent people helping out: from Pete Thomas (from Elvis Costello?s Attractions) to Butch (the Eels) to Aim?e Mann to Wayne Kramer (yes the guitarist from the MC5) to Emitt Rhodes (another member of the pantheon of Pop I alluded to above) to Justin Meldal Johnsen (Beck). But most importantly the heart of the matter are the songs: luminous, powerful, melodic, intimate, essential. You will listen to these pop classics again and again as the days go by after you first play this record. A true goldsmith. If there is one pop album to buy this year (along with the latest from Brendan Benson) you must get ? Safe in Sound .? This is not merely a recommendation, it is an order!

By Girard G?rard

Rock and Roll Report

Charleston Post & Courier: JIM BOGGIA - “SAFE IN SOUND” - (BLUHAMMOCK)

[ No Comments ] Posted on 05.12.05 under Press

By Devin Grant

When you first hear the song “Made Me So Happy,” you would swear that you were listening to some long-lost Elvis Costello track.

That is part of the fun with the music that Jim Boggia makes on “Safe in Sound,” his latest CD. Boggia was declared legally blind in his left eye almost from the day he was born, and over the years he lost most of the sight in his right eye as well.

Boggia devoured just about any record he could get his hands on as a kid, and once the music was mentally digested, the aspiring artist would do his best to emulate the artists that caught his ear.

The results are readily audible on “Safe in Sound.” “Shine,” a tune that Boggia co-wrote with friend Aimee Mann, leads off the album in a lovely fashion.

From there, one can almost trace the musical mood Boggia was in while writing a particular song. “Once” and “Let Me Believe (Evan’s Lament)” just ooze that lovely Beatles flow, while a song such as “Slowly” leans more toward a Beach Boys groove.

While “Safe in Sound” might appear as if it is in danger of becoming a cheesy tribute album to Boggia’s favorite bands, nothing could be further from the truth.

In reality, “Safe in Sound” is one of those CDs that stays with you long after the music has ended. Boggia should plan on a long and illustrious career in the music business if he decides to keep putting out material as good as this. (A-)

Post and Courier

Philadelphia Daily News: Safe in Sound Review

[ No Comments ] Posted on 05.03.05 under Press

By Jonathan Takiff

Jim Boggia builds craftily on the classic production sounds of ’60s and ’70s singer-songwriting recordings on "Safe In Sound" (bluhammock music). Adding to the pop patina are like-minded souls Jill Sobule, Aimee Mann, Emitt Rhodes and Wayne Kramer. B+

Associated Press: Singer Jim Boggia Finds Comfort in Music

[ No Comments ] Posted on 04.29.05 under Press

By Dave Bauder

A die-hard Beatles fan, Jim Boggia wasn’t satisfied with throwing "Get Back" on the CD player to celebrate an anniversary of the band’s final live performance on the rooftop of a London music studio.

No, the Philadelphia-based singer had to recruit friends to recreate it — song by song, note for note. It had to be on the same January day the Beatles did it, at the exact same time. He even insisted the rooftop be on a building the same number of stories as the London studio.

And, in a serendipitous coincidence Boggia couldn’t quite plan, angry cops arrived to pull the plug — just as they had done to the Beatles.

Get the idea Boggia is a music geek?

"Safe in Sound," Boggia’s collection of, appropriately enough, Beatlesque pop-rock, is his first national release and includes guest shots by Aimee Mann), Jill Sobule), the MC5’s Wayne Kramer) and 1970s cult artist Emitt Rhodes.

"It’s a very positive side of not getting signed for a really long time," he said of his crowded address book.

Along with making his music easy on the ears of casual listeners, Boggia adds layers that music history buffs will appreciate. His song "Underground" tells the story of a former Weather Underground fugitive, so he asked Kramer — whose Detroit-based band was in the center of radical politics in the late 1960s — to play guitar on it.

Music has always been a refuge for Boggia, who had a record collection when he was four years old. He’s liable to love a song simply for a clever bass line in the third verse, or for how a tambourine kick-starts a chorus.

Blind in one eye with only partial sight in another, that disability intensifies the aural experience for him.

That’s the secret to why he called the disc "Safe in Sound."

"I don’t feel very comfortable in a lot of social situations," he said. "I don’t feel very good with people. But I’m OK with a record player or an instrument — or even a McDonald’s cup with a straw in it that I can move up and down into something that sounds musical.

"I’m much more comfortable in that realm," he said. "It’s definitely my safety zone."

Philadelphia Daily News: Boggia blooms

[ No Comments ] Posted on 04.29.05 under Press

By Jonathan Takiff

Philly’s adopted son Jim Boggia is another first-rate audio architect, as you’ll hear on his new "Safe in Sound" album, coming out on Tuesday (May 3), and with his CD release party/concert the next night (May 4) at World Cafe Live.

Known for his encyclopedic knowledge and appreciation of music, Boggia likes to recall, "I’ve been told I was singing melodies before I started speaking words, and I started playing the guitar when I was 5. I have no conception of a life before music."

A fine storyteller, Boggia has slightly raspy, earnest vocals and a refined tune sense that evolve the story of Weather Underground fugitive Bernadine Dohrn into a great, rocking anthem ("Underground"), and he makes the lushly arranged "Where’s the Party?" an anti-drug morality play you won’t soon forget.

His auditory powers heightened by partial blindness, Boggia, with producer Julian Coryell, layers the album with lush instrumental flourishes, intriguing sound bites and naturalistic found sounds - plus an especially great surprise at album’s end.

You’ll surely detect his deep appreciation of Paul McCartney on the likes of "Let Me Believe (Evan’s Lament)" a co-write with the semi-legendary McCartney emulator Emmitt Rhodes.

And Boggia’s admiration for Elvis Costello comes to the fore on "Final Word" and "Made Me So Happy," the latter featuring a vocal assist by friend/fan Jill Soubule.

But I’m equally taken with songs that are undeniably Original House of Boggia, especially the glorious "Once," which deserves to be a rock radio staple.

Jim Boggia album release party, World Cafe Live, 3025 Walnut St. 7:30 p.m. Wednesday, May 4, $15 and $44 (with buffet). 3025 Walnut St., 215-222-1400, www.worldcafelive.com.

Philadelphia Metro: Anything But ?Safe?

[ No Comments ] Posted on 04.28.05 under Press

By Matt Smith

Jim Boggia’s star in the Philadelphia music community is firmly cemented. The multi-talented singer-songwriter is a scene fixture, and he drew regional acclaim as a member of local supergroup 4 Way Street (with Ben Arnold, Scott Bricklin and Joseph Parsons). Boggia is making a national push with his new solo CD, “Safe in Sound,” due Tuesday on New York City label Bluhammock Music. The 12-song effort is chock full of well-crafted pop songs, and features guest appearances by Aimee Mann, Emitt Rhodes, Jill Sobule and Wayne Kramer. Metro caught up with the West Philadelphia resident before a gig at The Point in Bryn Mawr, where he opened for Mann’s husband, Michael Penn.

You decided to go out to Los Angeles to record this one?

JIM BOGGIA: It was for a couple reasons. One was to just be away from my day-to-day routine - having all the stuff of your normal life encroaching on the making of a record - and also because I decided to work with Julian Coryell and Joe Zook as the producers. They’re both based out there and knew a lot of musicians and studios … Also, I was making the record in the fall and I have such bad winter depression that the idea of being in sunshine for an extra two and a half months was a great draw.

Did that change the feel of it?

This album has a fairly broad range. There’s some very upbeat, very happy tunes, and then there’s some quasi-suicidal tunes, and then stuff in the middle. That comes more from the writing process. Once you have the songs you know you’re going have, that determines what the tone of the album is going to be.

Your first solo CD ( “Fidelity is the Enemy” ) came out in 2001. Were you already working on the follow-up when 4 Way Street came about?

Yeah. I thought it was going to be another DIY, indie thing. What people don’t really understand about 4 Way is that none of us intended it to be such a big project. It really was supposed to be one show here (at The Point) at Christmastime, a cool thing to do for all of our fans. It just started taking on a life of its own, but we were having fun doing it and people seemed to enjoy it. That was all great but the longer we did it the more allencompassing it became.

Do you still play songs from the 4 Way CD (“Pretzel Park”) like ”Several Thousand”?

It’s amazing with “Several Thousand” (which also appeared on “Fidelity is the Enemy”). Even on as small a scale career as I’ve had, you get that experience of “the hit that people want to hear” and the experience of “the hit that I just don’t want to play.” I’ve absolutely promised myself that I don’t slavishly play it all the time, but I also play it enough of the time that people who come to a few shows will get their ”Several Thousand” fix. The hope is that as this album comes out there will be one or two more songs that get to the “Several Thousand” level.

You’ve been doing music full-time for a couple years?

Yeah, seven or eight. I started playing in other people’s bands, doing session work and jingles, and writing stuff for other people. More and more of my income is playing my own shows and selling my own records. It’s nice. I’m trying to push that bigger and bigger. What I really hope to accomplish with this record is, at least throughout most of the country, to have a core audience so I have the ability to go to different cities and play.

Jim Boggia celebrates the release of “Safe in Sound” 7:30 p.m. Wednesday at World Cafe Live, 3025 Walnut St., Philadelphia. General admission tickets cost $15 advance, $17 day of show; mezzanine tickets cost $42 advance, $44 day of show, and include a buffet. Call: 215-222-1400 or visit www.world cafelive.com. Jim Boggia on the Web: www.jimboggia.com.

New York Press: Joe’s Pub

[ No Comments ] Posted on 04.18.05 under Press

Michael Penn, Jim Boggia. Michael Penns?s upcoming summer release, Mr Hollywood Jr., 1947, will not exactly be the feel-good record of the year. He is currently on a short tour previewing songs from this deeply personal record which deals with a post-World War II society. On the flipside, Jim Boggia is a breath of fresh air with his warm inviting rasp and masterful songwriting abilities. One listen to Jim?s upcoming release Safe in Sound and you can’t help but to be drawn into his addictive pop lair 7, 9:30, $20. [Rock/Country/Hiphop]

Rolling Stone: In Brief

[ No Comments ] Posted on 04.01.05 under Press

AIMEE MANN, JILL SOBULE, EMITT RHODES and WAYNE KRAMER will appear on Philadelphia singer-songwriter JIM BOGGIA’s new album Safe in Sound due May 3rd . .

Pop Matters: Adventures in Lo-Fi

[ No Comments ] Posted on 05.29.02 under Press

They say that when the Model T started to catch on, Henry Ford bragged that you could have it in any color . . . as long as it was black. Well, in the folky singer-songwriter genre, I tend to enjoy all types of artists . . . as long as they’re women. For some reason I have yet to uncover, I have a thing for female voices, and will listen to their music, the male equivalent of which would bug the shit out of me. So I was a little nervous when I picked up Jim Boggia’s debut CD Fidelity is the Enemy. I’ve seen Jim Boggia playing accompaniment to Jill Sobule at the Tin Angel on several occasions, and he’s an incredible musician, the kind who if he heard a song once can play it. And watching the two of them play off each other is something to behold. However, as these things go, being a great musician doesn’t always translate into being a great songwriter. And I really wanted to be able to recommend Fidelity to my friends.

As it turns out, I was worried about nothing. Because the CD is good. Really good. First of all, while male singers usually don’t do it for me, I took to Boggia’s voice right away. He’s able to go from mellow (”So Full”) to rocking (”Toy Boat”) seamlessly. “So Full” (the first track) starts out slowly, but culminates in a glorious build on the second chorus with harmonies abounding. The second track “Toy Boat” is easily the loudest one on the album. Boggia’s voice is equally appropriate to both songs, smooth and just scratchy enough to give the songs an edge.

Even if the perspective isn’t anything revolutionary (another folky singer-songwriter), the songwriting is strong enough that you don’t mind. “Toy Boat”, an ode to tongue twisters, does rock as it brings a smile to your face. Also notable is “Bubblegum 45s”, a celebration of the joys of vinyl (”Fidelity is the enemy / I like them cut out from a cereal box / Every skip, scratch, and pop is a joy to me”). The song harkens back to a more innocent time, when we got bubblegum pop records off the backs of cereal boxes as much as from record stores. Hell, I was born in the age of cassettes, and the song is enough to make me nostalgic for the days of LP’s. While nostalgia for the low-fi days can get kind of tiresome after a while, there’s an innocence to Boggia’s version that makes you not care if the theme has been done before.

The arrangements on Fidelity are much fuller than the singer-with-a-guitar I expected. Instead of being spare and just focusing on Boggia’s voice and acoustic guitar, these are uniformly lush pop songs. There’s definitely an art to writing good pop songs, and Boggia has apparently listened to enough of them to know it. Even the songs that cover very ordinary and familiar ground — I’m happy and in love (”Several Thousand” and “That, For Me, Is You”), and I’m unhappy and no longer in love (”Black and Blue”), or I’m off on my own and still recognize my own value (”Nothing Wrong with Me” and “Weather”), bring something fresh to the subject. Actually, “Black and Blue” does come off as a little whiny in the chorus, but it would still make a good song to listen to when you’re heartbroken and it’s raining out, which is one of the three or four things a good pop song MUST do.

Parts of the album also show signs of the wordplay that makes Boggia’s sometime stage-mate Jill Sobule’s music so enjoyable, like O/P’s “There are silver clouds all over the sky, but you still find a black lining” (and is that Sobule’s voice in the background of “Nothing Wrong with Me”?). Despite “Black and Blue”, the overall impression I get from Fidelity is this is an album that’s so relentlessly upbeat as to make a worldview out of it. In “O/P,” Boggia sings “‘Cause I’m an optimist, so when it all goes wrong, I know I’ll still find my way home / But you’re a pessimist, and you pay for it, and your drag is all your own”. On “Peter Pan,” he chants the phrase “Think happy thoughts and you can fly”. When there’s so much doom and gloom in music, as there always is, there’s a fine line to walk between refreshingly optimistic and simply saccharine. With a lesser songwriter (think Jewel, who I probably dump on more than I should), such a stance could just come off as annoying, but Boggia gets away with it.

Again, these aren’t songs that are going to change the world, or even the singer-songwriter genre, forever. But there’s quite a bit of craft to the 11 songs on Fidelity (including the hidden track “Humbug” which plays as something of a cross between bebop and polka) that makes them all pretty enjoyable, and, indeed, something to write home about. While the CD fits easily into the folk-rock genre that seems to be flourishing in both the mainstream and independent scene, this album is anything but ordinary. Even in its weaker moments, I can’t wait to see the arc of Boggia’s career continue. During one show with Jill Sobule, they talked about the possibility of him opening up for her, and then accompanying Sobule for her set. I can’t imagine a couple of musicians more suited to each other. When they’re onstage together, they’re able to play off each other, and I’d love to see Boggia increase his contribution to the show.

On a personal level, I seem to be moving in the direction of more and more male artists and singers. For as annoying as mediocre male folk-singers can be, every so often you find a real gem like Jim Boggia. And I can’t wait to see what he does next. Of course, until then, Fidelity will keep me plenty busy.

? Stephen Rauch, 29 May 2002

PULP: PULP Review

[ No Comments ] Posted on 04.20.02 under Press

Dig Jim Boggia: As an only child, the Philadelphia musician spent a lot of time in his room with a Kenner Close ?n? Play Phonograph and a stack of 45s. The hours spent researching wax treasures released between 1965 to 1975 left a lasting impression on him that can be heard and seen on his debut, Fidelity is the Enemy. The cover depicts a young chap staring intently at vintage record player with a speaker in the tone arm ? that?s going way back. Inside, a modern-day Boggia does the same, surrounded by a mess of seven-inch slabs. ?Bubblegum 45s? pays homage to the music of his youth with a breezy Beatle-esque slice of power pop. A collaborator with both Jill Sobule and Juliana Hatfield, Boggia has developed an introspective, commanding presence that he reveals in the album?s other songs. Tonight he performs with Lindsey Horner, Quitet Storm, Friendship. 412.661.9355

- MIKE SHANLEY

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