Press

Associated Press: Singer Jim Boggia Finds Comfort in Music

No Comments 29 April 2005

By Dave Bauder

A die-hard Beatles fan, Jim Boggia wasn’t satisfied with throwing "Get Back" on the CD player to celebrate an anniversary of the band’s final live performance on the rooftop of a London music studio.

No, the Philadelphia-based singer had to recruit friends to recreate it — song by song, note for note. It had to be on the same January day the Beatles did it, at the exact same time. He even insisted the rooftop be on a building the same number of stories as the London studio.

And, in a serendipitous coincidence Boggia couldn’t quite plan, angry cops arrived to pull the plug — just as they had done to the Beatles.

Get the idea Boggia is a music geek?

"Safe in Sound," Boggia’s collection of, appropriately enough, Beatlesque pop-rock, is his first national release and includes guest shots by Aimee Mann), Jill Sobule), the MC5’s Wayne Kramer) and 1970s cult artist Emitt Rhodes.

"It’s a very positive side of not getting signed for a really long time," he said of his crowded address book.

Along with making his music easy on the ears of casual listeners, Boggia adds layers that music history buffs will appreciate. His song "Underground" tells the story of a former Weather Underground fugitive, so he asked Kramer — whose Detroit-based band was in the center of radical politics in the late 1960s — to play guitar on it.

Music has always been a refuge for Boggia, who had a record collection when he was four years old. He’s liable to love a song simply for a clever bass line in the third verse, or for how a tambourine kick-starts a chorus.

Blind in one eye with only partial sight in another, that disability intensifies the aural experience for him.

That’s the secret to why he called the disc "Safe in Sound."

"I don’t feel very comfortable in a lot of social situations," he said. "I don’t feel very good with people. But I’m OK with a record player or an instrument — or even a McDonald’s cup with a straw in it that I can move up and down into something that sounds musical.

"I’m much more comfortable in that realm," he said. "It’s definitely my safety zone."

Press

Philadelphia Daily News: Boggia blooms

No Comments 29 April 2005

By Jonathan Takiff

Philly’s adopted son Jim Boggia is another first-rate audio architect, as you’ll hear on his new "Safe in Sound" album, coming out on Tuesday (May 3), and with his CD release party/concert the next night (May 4) at World Cafe Live.

Known for his encyclopedic knowledge and appreciation of music, Boggia likes to recall, "I’ve been told I was singing melodies before I started speaking words, and I started playing the guitar when I was 5. I have no conception of a life before music."

A fine storyteller, Boggia has slightly raspy, earnest vocals and a refined tune sense that evolve the story of Weather Underground fugitive Bernadine Dohrn into a great, rocking anthem ("Underground"), and he makes the lushly arranged "Where’s the Party?" an anti-drug morality play you won’t soon forget.

His auditory powers heightened by partial blindness, Boggia, with producer Julian Coryell, layers the album with lush instrumental flourishes, intriguing sound bites and naturalistic found sounds - plus an especially great surprise at album’s end.

You’ll surely detect his deep appreciation of Paul McCartney on the likes of "Let Me Believe (Evan’s Lament)" a co-write with the semi-legendary McCartney emulator Emmitt Rhodes.

And Boggia’s admiration for Elvis Costello comes to the fore on "Final Word" and "Made Me So Happy," the latter featuring a vocal assist by friend/fan Jill Soubule.

But I’m equally taken with songs that are undeniably Original House of Boggia, especially the glorious "Once," which deserves to be a rock radio staple.

Jim Boggia album release party, World Cafe Live, 3025 Walnut St. 7:30 p.m. Wednesday, May 4, $15 and $44 (with buffet). 3025 Walnut St., 215-222-1400, www.worldcafelive.com.

Press

Philadelphia Metro: Anything But ?Safe?

No Comments 28 April 2005

By Matt Smith

Jim Boggia’s star in the Philadelphia music community is firmly cemented. The multi-talented singer-songwriter is a scene fixture, and he drew regional acclaim as a member of local supergroup 4 Way Street (with Ben Arnold, Scott Bricklin and Joseph Parsons). Boggia is making a national push with his new solo CD,  “Safe in Sound,” due Tuesday on New York City label Bluhammock Music. The 12-song effort is chock full of well-crafted pop songs, and features guest appearances by Aimee Mann, Emitt Rhodes, Jill Sobule and Wayne Kramer. Metro caught up with the West Philadelphia resident before a gig at The Point in Bryn Mawr, where he opened for Mann’s husband, Michael Penn.

You decided to go out to Los Angeles to record this one?

JIM BOGGIA: It was for a couple reasons. One was to just be away from my day-to-day routine  - having all the stuff of your normal life encroaching on the making of a record  ­- and also because I decided to work with Julian Coryell and Joe Zook as the producers. They’re both based out there and knew a lot of musicians and studios … Also, I was making the record in the fall and I have such bad winter depression that the idea of being in  sunshine for an extra two and a half months was a great draw.

Did that change the feel of it?

This album has a fairly broad range. There’s some very upbeat, very happy tunes, and then there’s some quasi-suicidal tunes, and then stuff in the middle. That comes more from the writing process. Once you have the songs you know you’re going have, that determines what the tone of the album is going to be.   

Your first solo CD ( “Fidelity is the Enemy” ) came out in 2001. Were you already working on the follow-up when 4 Way Street came about? 

Yeah. I thought it was going to be another DIY, indie thing. What people don’t really understand about 4 Way is that none of us intended it to be such a big project. It really was supposed to be one show here (at The Point) at Christmastime, a cool thing to do for all of our fans. It just started taking on a life of its own, but we were having fun doing it and people seemed to enjoy it. That was all great but the longer we did it the more allencompassing it became.  

Do you still play songs from the 4 Way CD (“Pretzel Park”) like ”Several Thousand”?  

It’s amazing with  “Several Thousand” (which also appeared on “Fidelity is the Enemy”). Even on as small a scale career as I’ve had, you get that experience of  “the hit that people want to hear” and the experience of  “the hit that I just don’t want to play.”  I’ve absolutely promised myself that I don’t slavishly play it all the time, but I also play it enough of the time that people who come to a few shows will get their ”Several Thousand” fix. The hope is that as this album comes out there will be one or two more songs that get to the “Several Thousand” level.  

You’ve been doing music full-time for a couple years?

Yeah, seven or eight. I started playing in other people’s bands, doing session work and jingles, and writing stuff for other people. More and more of my income is playing my own shows and selling my own records. It’s nice. I’m trying to push that bigger and bigger. What I really hope to accomplish with this record is, at least throughout most of the country, to have a core audience so I have the ability to go to different cities and play.  

Jim Boggia celebrates the release of “Safe in Sound” 7:30 p.m. Wednesday at World Cafe Live, 3025 Walnut St., Philadelphia. General admission tickets cost $15 advance, $17 day of show; mezzanine tickets cost $42 advance, $44 day of show, and include a buffet. Call: 215-222-1400 or visit www.world cafelive.com. Jim Boggia on the Web: www.jimboggia.com.

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