Press

News of Delaware County: Folk by Any Other Name May Draw Larger Crowds

No Comments 27 March 2002

What?s in a name? Not enough sometimes, like when people make mistaken assumptions about the Lansdowne Folk Club.

?Folk? kills us 90 percent of the time,? says president Lee Jones. ?People think we?re sitting around singing ?Kumbaya.? The Lansdowne Folk Club?s range of styles goes far beyond their name, as their 9th Anniversary concert Thursday night will reveal when Full Frontal Folk and Four Way Street perform at the Twentieth Century Club on Lansdowne Avenue.

Full Frontal Folk, a relatively new four-woman band, ?is creating a lot of buzz,? Jones says. ?They play hip-hop, punk, and traditional folk ballads,? and look a bit like all three styles as well. They share a love of traditional bluegrass as well as modem singer-songwriter stylings, delivering a combination of covers and originals that defy classification.

Wendy Fuhr, Jennifer Schneck, Thea Shoulson, and Courtney Malley play 6 and 12 string guitars, bass, mandolin, fiddle, and percussion, plus blend their voices in polished harmonies.

Four Way Street is also new, but the group?s four men have been headlining in Philadelphia for a long time. Ben Arnold, Jim Boggia, Joseph Parsons, and Scott Bricklin ?all solo recording artists ? combine their distinctive rock, folk, pop, and R&B styles.

?The funny thing about our club is that we offer anything from jazz to doo-wop, while also bringing in the best national and international folk acts,? Jones explains. ?But we?re on the fringe of the traditional folk scene.?
Their eclectic range of styles compliments the Twentieth Century Club?s wood-trimmed, intimate confines. Many concerts occur in the library room, which seats 80-90 people and has beautiful acoustics. Concerts like Thursday?s require the ballroom, where the Folk Club puts a stage on the floor to keep the performers near the crowd, who are arranged in a semi-circle. Thanks to curtains installed by Celebration Theatre, the acoustics there are just as natural.

Upcoming concerts demonstrate the Folk
Club?s fringy approach. On April 25, catch
Fred?s Mobile Homes ? a Philadelphia bluegrass band that takes the ?Oh Brother, Where Art Thou?? sound and adds some ?Yo, Brother!? On May 23, experience Broadside Electric ? ?everything from Celtic and klezmer to folk rock and traditional English ballads,? says Jones. On June 6, celebrate summer with local Brazilian jazz duo Minas.

If you go: Tickets for the Lansdowne Folk Club?s Ninth Anniversary concert Thursday night at 7 pm are $14 in advance, $16 at the door. Call 610-22-7250 or e-mail at info@folkclub.org for information and reservations.

Press

Stylus Magazine: Fidelity Is The Enemy Review

No Comments 01 March 2002

Jim Boggia

Fidelity Is the Enemy

scrApple ? 2001

Pop music. What is that you ask?

Let me tell you. It usually deals with topics like boy meets girl, boy gets girl, boy gets dumped by girl, boy wonders why he even wanted girl in first place. That?s the simple answer, in reality that little digested version only masks something much deeper and introspective. Those fabricated teens doing Broadway dance numbers only know that POP could be short for popular and only read that digested definition. They fail to look deeper.

POP can also refer to a soft drink (read: lots of energy, and lots of fizz, with a big heap of sugar poured in it.) If you like your music to be the equivialant of this definition then Jim Boggia might be your man. Sure, the crunch isn?t all there but man, it sure is sweet tasting. If you get a kick out of stuff like Jon Brion, Aimee Mann, Jellyfish, Michael Penn & Elliot Smith, you are going to be freaking ecstatic over this CD. Heartfelt acoustic ballads and smart, multi-layered bouncy pop numbers that combine soulfulness and technique not unlike fellow Philadelphia native, Todd Rundgren.

Listening to this CD it is easy and quite fun to play spot the influence. The obvious Pope John Paul, Archbishop George Ringo worship is an unapologetic psychedelic tour de force called “Peter Pan”. The song which cops the sound of ?Flying? by The Beatles, is a playful number using instruments like a bouncing basketball, bicycle bell, Indian drum, slinky, flute, toy piano and air organ to produce the trippy sound. Throughout the CD, Boggia sprinkles the likes of glockenspiels, sleigh bells, theremin, and Wurlitzer piano into the mix. He evokes Simon and Garfunkel on ?Winter?, where he sings both harmony parts and steals the guitar part from Homeward Bound. Boggia doesn?t even attempt to cover Brian Wilson?s ?Don?t Talk (Put Your Head On My Shoulder)? from Pet Sounds, instead he gives us a twenty second rendition of him doing the harmony part with explanation that we all should go buy that album. I would tend to agree. The bossa nova flavored number features a Todd Rundgren memorial bridge and guest star Jill Sobule (Boggia has graced her touring band on a number of occasions, as well as contributing to the likes of Juliana Hatfield, among others).

Sure, the record will have detractors. Some people will line up and scream “Blatant rip off! ” And to those, I say some of the best damned albums of the past decade, sound like a “B’s of Pop” train wreck, and Fidelity Is The Enemy is a stunningly gorgeous one. It is difficult to undo what came before. And if one has to redo it, might as well haul out the big guns and go straight for the gut. In other words, aim for perfection and perfection for this genre would be Brian Wilson and Lennon & McCartney.

Jim says this CD is his ?love letter to pop music? and calls his music ?Yesterpop?. Let’s not forget Pop also means Dad and, like I say, POP is never a bad word unless you wreck Dad?s car.

- Tom Casetta

Press

Los Angeles Times: LA Times Review

No Comments 11 February 2002

Jim Boggia, Rigsby, Jariyla

Gengis Cohen

740 N. Fairfax Ave., Los Angeles

With the success of Ryan Adams and Jack Johnson, its entirely possible that we?re on the cusp of a new Golden Age of singer-songwriters. Philadelphia?s Jim Boggia looks to follow in their footsteps with a collection of songs that can approach the sweetness of Ben Harper?s most delicate moments or even the charm of Matthew Sweet or Dave Matthews. Either way, the songs from his album ?Fidelity is the Enemy? are welcome reminders of the days when ?pop? wasn?t a dirty word synonymous with Orlando-based svengalis or soft drink commercials.

- Chris Barton

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